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Finish library

Six surfaces. One specified resin. Every Perth kitchen unique.

Standard overlays and laminate sheets are factory patterns with fixed edges. A pour is hand-worked — the reason a Claremont marble vein or a Fremantle terrazzo never looks like the kitchen next door. Pick a field below.

Pure Bright White

Guide from $240 / m² — not a quote

Pure Bright White

A clean solid-white flood coat that reads as contemporary solid surface. Tinted with professional epoxy pigment paste — never craft acrylic. The most forgiving finish for a bright Perth kitchen, and the one we recommend if you want a Subiaco galley or a Scarborough apartment to feel larger overnight.

Best on dated beige laminate. Hides seams. Recoatable.

Guide this finish

Why pale oak is a timber job, not a pigment trick

Resin is a liquid. It cannot form the tight, directional cell structure of real oak. Dragging beige and grey lines through a flood coat produces a stylised interpretation — attractive as art, unconvincing at breakfast distance.

We start with real pale oak or rubberwood, seal it so the timber does not out-gas, then flood with clear countertop epoxy. The grain stays photographic. The resin supplies hardness, heat resistance and a glass-like depth. High-resolution veneer is the fallback when a full panel is too heavy or the existing top cannot take the extra thickness.

Pale oak timber under a clear epoxy flood coat

What we will not sell you

Vinyl wrap

Edges peel, heat bubbles, water lifts the glue and traps mould. Fine for a feature wall. Fatal on a working bench.

Craft “crystal clear”

Too soft, yellows, marks under a mug. If there is no Shore D or heat number, it is not a kitchen surface.

Deep-pour art resin

Formulated to stay open for river tables. It remains too soft and too yellow-prone for a horizontal food surface.